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Date: Wed, 2 Aug 2023 15:12:26 +0200
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Your package delivery notification ID: [11R]

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The late 1970s had seen the establishment of independent distribution companies such as Pinnacle and Spartan, providing independent labels an effective means of distribution without involving the major labels. Distribution was further improved with the establishment of 'The Cartel', an association of companies such as Rough Trade Records, Backs Records, and Red Rhino, which helped to take releases from small labels and get them into record shops nationwide.

The UK Indie Chart was first compiled in 1980, with the first number one being "Where's Captain Kirk?" by Spizz and his band (billed on the record as Spizzenergi). "Where's Captain Kirk?" had been a constant seller for Geoff Travis' Rough Trade Records, but never got into the chart compiled by BMRB (British Market Research Bureau) as a lot of independent stores were not chart return shops and because a more accurate way of collating sales via EPOS (electronic point-of-sale systems) had yet to be introduced. The chart was unrelated to a specific genre, and the chart featured a diverse range of music, from punk to reggae, MOR, and mainstream pop, including many songs in the late 1980s by artists like Kylie Minogue and Jason Donovan on the PWL label.

Even though PWL's releases were mainly Hi-NRG-influenced disco-pop the label was independently distributed and did have a music fan (Pete Waterman) at its helm, of which the label was closely associated with. Whether indie fans dismiss Stock Aitken Waterman as cheesy pop or not, this was as true for Waterman as it was for Ivo Watts-Russell (4AD), Alan Horne (Postcard), Daniel Miller (Mute), Alan McGee (Creation) or Tony Wilson (Factory).

The UK Indie Chart became a major source of exposure for artists on independent labels, with the top ten singles regularly aired on the national television show The Chart Show. By the late 1980s, the major labels had identified that there was an opportunity in indie music and so teamed up with many of the main figures of the indie scene to launch indie music record labels. WEA (Warner/Elektra/Atlantic) teamed up with Geoff Travis and él Records' Mike Alway to launch Blanco y Negro, followed a few years later by Alan McGee's Elevation label (even though some indie fans viewed this development in a negative way, it has to be noted that WEA set up Korova in 1979 for Zoo Record's Echo & the Bunnymen, with Zoo Records being the Liverpool-based label of Bill Drummond and David Balfe). The term "alternative" was increasingly used to describe artists, and "indie'" was more often used to describe a broad range of guitar-based rock and po

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<span style="color:#FFFFFF;font-size:7px;">The late 1970s had seen the establishment of independent distribution companies such as Pinnacle and Spartan, providing independent labels an effective means of distribution without involving the major labels. Distribution was further improved with the establishment of &#39;The Cartel&#39;, an association of companies such as Rough Trade Records, Backs Records, and Red Rhino, which helped to take releases from small labels and get them into record shops nationwide. The UK Indie Chart was first compiled in 1980, with the first number one being &quot;Where&#39;s Captain Kirk?&quot; by Spizz and his band (billed on the record as Spizzenergi). &quot;Where&#39;s Captain Kirk?&quot; had been a constant seller for Geoff Travis&#39; Rough Trade Records, but never got into the chart compiled by BMRB (British Market Research Bureau) as a lot of independent stores were not chart return shops and because a more accurate way of collating sales via EPOS (electronic point-of-sale systems) had yet to be introduced. The chart was unrelated to a specific genre, and the chart featured a diverse range of music, from punk to reggae, MOR, and mainstream pop, including many songs in the late 1980s by artists like Kylie Minogue and Jason Donovan on the PWL label. Even though PWL&#39;s releases were mainly Hi-NRG-influenced disco-pop the label was independently distributed and did have a music fan (Pete Waterman) at its helm, of which the label was closely associated with. Whether indie fans dismiss Stock Aitken Waterman as cheesy pop or not, this was as true for Waterman as it was for Ivo Watts-Russell (4AD), Alan Horne (Postcard), Daniel Miller (Mute), Alan McGee (Creation) or Tony Wilson (Factory). The UK Indie Chart became a major source of exposure for artists on independent labels, with the top ten singles regularly aired on the national television show The Chart Show. By the late 1980s, the major labels had identified that there was an opportunity in indie music and so teamed up with many of the main figures of the indie scene to launch indie music record labels. WEA (Warner/Elektra/Atlantic) teamed up with Geoff Travis and &eacute;l Records&#39; Mike Alway to launch Blanco y Negro, followed a few years later by Alan McGee&#39;s Elevation label (even though some indie fans viewed this development in a negative way, it has to be noted that WEA set up Korova in 1979 for Zoo Record&#39;s Echo &amp; the Bunnymen, with Zoo Records being the Liverpool-based label of Bill Drummond and David Balfe). The term &quot;alternative&quot; was increasingly used to describe artists, and &quot;indie&#39;&quot; was more often used to describe a broad range of guitar-based rock and po</span><br />
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