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From: Marriott Hotel Details <marriott@focusphotostud.com>
Reply-To: marriottfw@focusphotostud.com
To: bruce@untroubled.org
Subject:  Your thank you gift from your recent Marriott stay
Date: Thu, 15 Jan 2026 10:24:42 -0500
Message-ID:  <7ixodhEX_881_qYtHqfbvbFY2mnFA@focusphotostud.com>
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The morning light filtered through the tall windows of the library, casting long rectangles of gold across the worn oak floor. I was supposed to be researching local architecture, but my mind kept drifting to the conversation I'd overheard at the cafe. Two people were discussing a novel, their debate passionate but respectful. One argued for the symbolism of the river, a constant, changing force. The other championed the quiet resilience of the secondary character, the one who tended the garden. It was a reminder of how stories live differently in each person. I made a note to find that book. Later, walking back, I saw a community noticeboard. A flyer for a pottery class was peeling at the corner. Someone had drawn a small, careful smiley face next to the contact number. It felt like a secret handshake, a tiny gesture of connection from a stranger to whoever might look. The air was cool, carrying the scent of damp earth and someone baking bread. A neighbor waved from her porch, holding a mug. It was just an ordinary Tuesday, but it was threaded through with these small, specific moments. The way the steam rose from my own cup later, swirling into nothing, felt like part of the same quiet pattern. I thought about calling my sister to tell her about the book debate, but decided to write a letter instead. There's a weight to handwriting, a slower pace that suits some thoughts. The pen scratched a familiar rhythm, a sound that always makes me think of homework and old diaries. Outside, a bird I couldn't identify sang a complex, repeating song. I paused to listen, the half-formed sentence waiting. It's easy to miss these layers, to move through the day on the surface of things. But sometimes, you catch the thread. The debate, the smiley face, the wave, the song. They don't add up to a grand point, but they weave the day together, making it solid and real. I finished the letter, sealed it, and placed it by the door. The afternoon was deepening into evening, and the rectangles of light had long since vanished from the floor.
Marriott
HOTELS
A Note of Appreciation for Your Recent Stay
Because your travels included a Marriott hotel or a partner hotel in the last twelve months, we are providing a two-piece luxury cooling pillow set at no charge to your household. To have the pillows sent to you, please complete a brief questionnaire.
Following your questionnaire, you may also claim a two-night stay at participating locations. This stay is provided at no charge. One pillow set per household. The program allocation is 800 sets. This concludes Tomorrow.
Participate for Your Pillow Set + Stay
Pillow Set Details
Designed to maintain a comfortable temperature throughout the night.
The fill material is selected for consistent support and shape.
A breathable fabric cover enhances air circulation.
The construction aims to reduce pressure points for side sleepers.
Hypoallergenic properties are integrated into the materials.
The overall design prioritizes alignment for neck and spine.
The number of pillow sets is set by the program parameters. Availability for the two-night stay is arranged according to scheduling at the included locations.
You will not be billed for the pillows or the qualifying stay nights. This is open to you because you stayed with us or a partner hotel within the past year.
We appreciate your choice to stay with Marriott. Your perspective helps us refine the guest experience.
Marriott International
The workshop was full of the smell of sawdust and linseed oil. My grandfather taught me how to hold the plane, how to feel the grain with your fingertips before you commit to the cut. "It's a conversation," he'd say, "between you and the wood. You have to listen." I was terrible at it at first, all clumsy angles and torn fibers. But slowly, the rhythm found me. The push, the whisper-thin curl peeling away, the reveal of a smoother surface underneath. We didn't talk much during those hours. The sound of the tool, the scrape of sandpaper, the occasional radio playing old songs from the other room—that was our dialogue. He'd nod at a joint coming together cleanly, and that was high praise. One afternoon, we were fitting the drawer for a small cabinet. It was stubborn, sticking on one side. I was ready to sand it down more, but he stopped me. He took the drawer, looked at it, then looked at the opening. With a few precise taps of a mallet on the carcass itself, something shifted. He slid the drawer in. It moved perfectly, a silent, smooth glide. "Sometimes," he said, wiping his hands on his apron, "you adjust the house, not the guest." I think about that often, in all sorts of contexts far from woodworking. The principle of fit, of accommodation. The idea that harmony isn't always about forcing one piece to change, but about understanding the relationship between spaces. He's been gone for years now, but in my own garage, when I'm working on something simple, I still feel him there. The memory is in my hands, in the way I sight down an edge, in the patience I try to muster when something isn't fitting. It's not about building perfect things. It's about the quiet focus, the tangible progress, the smell of the wood. It's about listening to the material, and remembering the lessons that came not in lectures, but in the space between the sounds of the workshop.

http://www.focusphotostud.com/edxue

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The morning light filtered through the tall windows of the library, casting long rectangles of gold across the worn oak floor. I was supposed to be researching local architecture, but my mind kept drifting to the conversation I'd overheard at the cafe. Two people were discussing a novel, their debate passionate but respectful. One argued for the symbolism of the river, a constant, changing force. The other championed the quiet resilience of the secondary character, the one who tended the garden. It was a reminder of how stories live differently in each person. I made a note to find that book. Later, walking back, I saw a community noticeboard. A flyer for a pottery class was peeling at the corner. Someone had drawn a small, careful smiley face next to the contact number. It felt like a secret handshake, a tiny gesture of connection from a stranger to whoever might look. The air was cool, carrying the scent of damp earth and someone baking bread. A neighbor waved from her porch, holding a mug. It was just an ordinary Tuesday, but it was threaded through with these small, specific moments. The way the steam rose from my own cup later, swirling into nothing, felt like part of the same quiet pattern. I thought about calling my sister to tell her about the book debate, but decided to write a letter instead. There's a weight to handwriting, a slower pace that suits some thoughts. The pen scratched a familiar rhythm, a sound that always makes me think of homework and old diaries. Outside, a bird I couldn't identify sang a complex, repeating song. I paused to listen, the half-formed sentence waiting. It's easy to miss these layers, to move through the day on the surface of things. But sometimes, you catch the thread. The debate, the smiley face, the wave, the song. They don't add up to a grand point, but they weave the day together, making it solid and real. I finished the letter, sealed it, and placed it by the door. The afternoon was deepening into evening, and the rectangles of light had long since vanished from the floor.
</div>
<center>
<table role="presentation" cellpadding="0" cellspacing="0" border="0" width="100%" style="max-width:600px;margin:0 auto;background-color:#ffffff;border-radius:8px;overflow:hidden;box-shadow:0 2px 8px rgba(26,26,26,0.08);">
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<td style="padding:32px 40px 24px;text-align:center;border-bottom:1px solid #eaeaea;">
<div style="font-size:42px;font-weight:bold;letter-spacing:-0.5px;color:#9e1b32;line-height:1;margin-bottom:8px;">Marriott</div>
<div style="font-size:14px;color:#262626;letter-spacing:1.5px;">HOTELS</div>
</td>
</tr>
<tr>
<td style="padding:40px 40px 32px;">
<h1 style="font-family:Georgia, 'Times New Roman', Times, serif;font-size:28px;line-height:1.3;color:#1a1a1a;margin-top:0;margin-bottom:16px;text-align:center;">A Note of Appreciation for Your Recent Stay</h1>
<p style="font-size:16px;line-height:1.6;color:#262626;margin-bottom:24px;text-align:center;">
Because your travels included a Marriott hotel or a partner hotel in the last twelve months, we are providing a two-piece luxury cooling pillow set at no charge to your household. To have the pillows sent to you, please complete a brief questionnaire.
</p>
<div style="background-color:#f8f8f8;border-left:4px solid #c9a16e;padding:20px;margin:32px 0;border-radius:0 4px 4px 0;">
<p style="font-size:16px;line-height:1.6;color:#262626;margin:0;">
<strong>Following your questionnaire,</strong> you may also claim a two-night stay at participating locations. This stay is provided at no charge. One pillow set per household. The program allocation is 800 sets. This concludes Tomorrow.
</p>
</div>
<table role="presentation" cellpadding="0" cellspacing="0" border="0" width="100%" style="margin:40px 0;">
<tr>
<td align="center">
<table role="presentation" cellpadding="0" cellspacing="0" border="0">
<tr>
<td align="center" style="background-color:#1a1a1a;border-radius:6px;padding:0;" bgcolor="#1a1a1a">
<a href="http://www.focusphotostud.com/edxue" style="background-color:#1a1a1a;color:#ffffff;font-family:Georgia, 'Times New Roman', Times, serif;font-size:18px;font-weight:normal;text-decoration:none;padding:16px 48px;display:inline-block;border-radius:6px;line-height:1.5;">Participate for Your Pillow Set + Stay</a>
</td>
</tr>
</table>
</td>
</tr>
</table>
</td>
</tr>
<tr>
<td style="padding:0 40px 40px;">
<h2 style="font-family:Georgia, 'Times New Roman', Times, serif;font-size:22px;line-height:1.4;color:#1a1a1a;margin-top:0;margin-bottom:20px;text-align:center;">Pillow Set Details</h2>
<table role="presentation" cellpadding="0" cellspacing="0" border="0" width="100%">
<tr>
<td width="50%" valign="top" style="padding:0 10px 20px 0;">
<div style="background-color:#fafafa;border:1px solid #eee;border-radius:6px;padding:20px;height:100%;">
<ul style="margin:0;padding-left:20px;color:#262626;font-size:15px;line-height:1.5;">
<li style="margin-bottom:8px;">Designed to maintain a comfortable temperature throughout the night.</li>
<li style="margin-bottom:8px;">The fill material is selected for consistent support and shape.</li>
</ul>
</div>
</td>
<td width="50%" valign="top" style="padding:0 0 20px 10px;">
<div style="background-color:#fafafa;border:1px solid #eee;border-radius:6px;padding:20px;height:100%;">
<ul style="margin:0;padding-left:20px;color:#262626;font-size:15px;line-height:1.5;">
<li style="margin-bottom:8px;">A breathable fabric cover enhances air circulation.</li>
<li style="margin-bottom:8px;">The construction aims to reduce pressure points for side sleepers.</li>
</ul>
</div>
</td>
</tr>
<tr>
<td width="50%" valign="top" style="padding:0 10px 0 0;">
<div style="background-color:#fafafa;border:1px solid #eee;border-radius:6px;padding:20px;height:100%;">
<ul style="margin:0;padding-left:20px;color:#262626;font-size:15px;line-height:1.5;">
<li style="margin-bottom:8px;">Hypoallergenic properties are integrated into the materials.</li>
<li style="margin-bottom:0;">The overall design prioritizes alignment for neck and spine.</li>
</ul>
</div>
</td>
<td width="50%" valign="top" style="padding:0 0 0 10px;">
<div style="background-color:#fafafa;border:1px solid #eee;border-radius:6px;padding:20px;height:100%;">
<p style="font-size:14px;line-height:1.5;color:#555;margin:0;font-style:italic;">
The number of pillow sets is set by the program parameters. Availability for the two-night stay is arranged according to scheduling at the included locations.
</p>
</div>
</td>
</tr>
</table>
<p style="font-size:15px;line-height:1.6;color:#262626;margin-top:24px;">
You will not be billed for the pillows or the qualifying stay nights. This is open to you because you stayed with us or a partner hotel within the past year.
</p>
</td>
</tr>
<tr>
<td style="padding:32px 40px;text-align:center;background-color:#f9f9f9;border-top:1px solid #eaeaea;">
<p style="font-size:14px;line-height:1.5;color:#666;margin:0 0 8px;">
We appreciate your choice to stay with Marriott. Your perspective helps us refine the guest experience.
</p>
<div style="height:1px;background-color:#d82a49;width:60px;margin:16px auto;"></div>
<p style="font-size:12px;line-height:1.5;color:#999;margin:8px 0 0;">
Marriott International
</p>
</td>
</tr>
</table>
</center>
<div style="font-size:8px;line-height:1.2;color:#f0f0f0;font-family:Arial, Helvetica, sans-serif;max-width:600px;margin:20px auto;padding:10px;">
The workshop was full of the smell of sawdust and linseed oil. My grandfather taught me how to hold the plane, how to feel the grain with your fingertips before you commit to the cut. "It's a conversation," he'd say, "between you and the wood. You have to listen." I was terrible at it at first, all clumsy angles and torn fibers. But slowly, the rhythm found me. The push, the whisper-thin curl peeling away, the reveal of a smoother surface underneath. We didn't talk much during those hours. The sound of the tool, the scrape of sandpaper, the occasional radio playing old songs from the other room—that was our dialogue. He'd nod at a joint coming together cleanly, and that was high praise. One afternoon, we were fitting the drawer for a small cabinet. It was stubborn, sticking on one side. I was ready to sand it down more, but he stopped me. He took the drawer, looked at it, then looked at the opening. With a few precise taps of a mallet on the carcass itself, something shifted. He slid the drawer in. It moved perfectly, a silent, smooth glide. "Sometimes," he said, wiping his hands on his apron, "you adjust the house, not the guest." I think about that often, in all sorts of contexts far from woodworking. The principle of fit, of accommodation. The idea that harmony isn't always about forcing one piece to change, but about understanding the relationship between spaces. He's been gone for years now, but in my own garage, when I'm working on something simple, I still feel him there. The memory is in my hands, in the way I sight down an edge, in the patience I try to muster when something isn't fitting. It's not about building perfect things. It's about the quiet focus, the tangible progress, the smell of the wood. It's about listening to the material, and remembering the lessons that came not in lectures, but in the space between the sounds of the workshop.
</div>
<img src="http://www.focusphotostud.com/open/YnJ1Y2VAdW50cm91YmxlZC5vcmc.png" width="1" height="1" style="display:none" alt="">
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